Jim Ford is a music-world Zelig. He grew up with Loretta Lynn a neighbor and later was in a relationship with Bobbie Gentry, afterward contending that he wrote "Ode To Billie Joe". There he is in the photo collage adorning his close friend Sly Stone's There's A Riot Going On, and in a studio writing songs with Bobby Womack and Ronnie Wood. That's him recording in London with Brinsley Schwarz and the Grease Band. Aretha Franklin recorded his "Niki Hoeky", and Elvis had it on his jukebox. You get the idea. But Bear Family doesn't grant reissue privileges just for being a fascinating character, and this collection puts Ford's complete-package talents on display. It pairs his only full-length release, 1969's near-masterpiece Harlan County, with fifteen additional cuts ranging from the Nick Lowe-covered "36 Inches High" (Ford's version manages to be both stripped-down and robust) to the pure honky-tonk of "Happy Songs Sell Records, Sad Songs Sell Beer". His hybrid style draws on roots rock and country soul, quite possibly inventing pub rock in the process. Or, in name-drop terms, Dan Penn meets Tony Joe White meets Joe South. And Ford probably has met 'em all.
Read next
ALBUM REVIEW: Sad Daddy Drill Down to What Really Matters on ‘Ozark Shine’
Sad Daddy captures the full breadth and scope of their 16-year career with their fourth studio record. Ozark Shine pushes the boundaries of their work, yet it remains fully perched in their signature styles and craftsmanship. These 13 songs from the four-piece Arkansas-born string band (Melissa Carper,
ALBUM REVIEW: American Aquarium Serves Up Country Music Comfort Food on 'New Ways to Lose'
American Aquarium's “4x60” finds a younger BJ Barham in the back seat of a Chevy Blazer. The song from the latest American Aquarium record New Ways to Lose is full of “back in the day…” details. For those who remember rural North Carolina in the ‘90s, there’s
ALBUM REVIEW: Andrew Sa Bares His Heart and Soul on Unflinching Debut, ‘American Rough’
From the start of Andrew Sa’s American Rough, it’s impossible not to be pulled in.
With the album’s opening number and title track, a curtain of balmy keys, sinewy bass, and throbbing horns parts to reveal an apparition: “He’s mean handsome / Can’t hardly be decent
Comments ()