Rachel Cholst

EDITOR’S NOTE: As the end of the year approaches, we’re taking a look back at albums we weren't able to review when they first came out. Horse Camp was released in October. When we last left The Lowest Pair, Kendl Winter was fresh off a stint

When your whole life revolves around travel and gigging, and that world suddenly stops revolving, what happens? Melissa Carper faced that question in 2020, fresh off the release of her acclaimed Daddy’s Country Gold (ND review). Carper is a joyous nomad, having spent her entire adult life exploring the

If nothing else, country music is about nostalgia, the sad realization that you can never quite go home again, even if you never leave. On Gabe Lee’s The Hometown Kid, Lee illustrates that you can come from a big city and feel the same way about home as a

Sweet Tooth, Mali Obomsawin’s solo debut, is rich in history and soaring musicianship. Obomsawin, formerly of Lula Wiles, unleashes their formal jazz training at Dartmouth College in a suite of six songs that are epic and intimate in scope: the political, cultural, and musical journey of their Wabanaki ancestors

Cory Branan’s songs have a way of sticking with you. Branan is a restless craftsman who seems to view songwriting as something of a science. Whether in the studio or on the stage, he isn’t afraid to pick his work apart in order to draw out new themes