Rachel Cholst

If nothing else, country music is about nostalgia, the sad realization that you can never quite go home again, even if you never leave. On Gabe Lee’s The Hometown Kid, Lee illustrates that you can come from a big city and feel the same way about home as a

Sweet Tooth, Mali Obomsawin’s solo debut, is rich in history and soaring musicianship. Obomsawin, formerly of Lula Wiles, unleashes their formal jazz training at Dartmouth College in a suite of six songs that are epic and intimate in scope: the political, cultural, and musical journey of their Wabanaki ancestors

Cory Branan’s songs have a way of sticking with you. Branan is a restless craftsman who seems to view songwriting as something of a science. Whether in the studio or on the stage, he isn’t afraid to pick his work apart in order to draw out new themes

There’s a moment we all must face when we realize that going away can help us find ourselves. For LGBTQ+ young people in rural areas, however, that choice is as painful as it is liberating: Why must you reject part of yourself to embrace the rest? That’s the

Anna Tivel has it on lock at this point. With three incredible studio albums behind her and one standout EP, Tivel has many strengths and no flaws. She’s one of the finest storytellers modern folk music has to offer, with lyrics so literary that it’s tempting to think