Henry Carrigan

Wonderland, Martha Spencer’s second solo album, is aptly titled; it carries us through a magical musical landscape via old-time Appalachian tunes, Django jazz, bluegrass, country, American songbook-style tunes, and ambling blues. Spencer’s high mountain vocals dip and swerve, providing the thread around which harmonies and instruments wrap themselves.

Some albums are beautiful little gems, every facet glimmering with dazzling light; the lyrics shine, and the music shimmers. Horizon Line, Dan Navarro’s first album since 2019’s Shed My Skin (ND review), is one of those albums. Navarro writes, sings, and plays with such emotional intensity that every

Jim Lauderdale is at it again, writing songs that belong in the pantheon of country music alongside those of George Jones, Ray Price, and Conway Twitty. With his signature twangy vocals and his often wry wit, Lauderdale sings on Game Changer about broken hearts, wistful dreams, mending fences, and honky-tonkin’

Reverberating guitar chords open the haunting, minor-chord “Hawk for the Dove,” the first track on Amanda Shires’ new album, Take It Like a Man. Shires’ vocals, with Brittney Spencer adding backup, drip with sexual longing, and the roving, stalking rhythms of the song evoke the lover’s own passion and