Henry Carrigan

Reverberating guitar chords open the haunting, minor-chord “Hawk for the Dove,” the first track on Amanda Shires’ new album, Take It Like a Man. Shires’ vocals, with Brittney Spencer adding backup, drip with sexual longing, and the roving, stalking rhythms of the song evoke the lover’s own passion and

Richie Furay — founding member of Buffalo Springfield, Poco, and Souther-Hillman-Furay — has been singing country music all his life, of course, so his new album of classic country tunes is a natural fit. Furay’s soaring tenor vocals are on full display on In the Country, and, for the most part,

Rod Picott is one of our too-little-known songwriting treasures. Like Hemingway, he peers into the jangly tentativeness of the relationships between men and women. Like Harry Crews, he captures the spectral gothic shadows that haunt rural settings. Like Townes Van Zandt, Picott tells riveting tales about memorable characters — the moonshiner,

“Fall Apart World,” the track that opens Mary Gauthier’s new album, Dark Enough to See the Stars, might just be a perfect song. Danny Mitchell’s lush piano notes float over his soaring B3 strains, laying a shimmering bed for Juan Solorzano’s vibrato lead runs on the bridges,