Amos Perrine

I don’t know how it keeps happening, but the annual Cayamo "Journey through Song" cruise just seems to get better and better. As evidenced by the narrative below by Brenda Rosser and Boom Baker, as well as their photos and the photos of Larry John Fowler and

While 2019 was a stellar year for roots music, by taking a look at what's coming down the pike in next couple of weeks, 2020 just might be even better. Below are six albums that have been in constant rotation at my house, the car, the office, and

With every music writer busy at work compiling lists for year-end reviews, on this last Tuesday in November before that deluge begins next month, three ND photographers — Boom Baker, Mark J. Smith and Carol Graham — and I have chosen seven neglected roots albums that just did not get the

“What I love the most are sad songs. My heart was broken and, I dunno, I guess when my heart breaks, pedal steel comes out.” So said Karen Pittelman (Karen & the Sorrows) in a 2017 Bluegrass Situation article exploring the assumptions behind who owns country music and who’s

There has been a quiet revolution going on. It’s one that music fans have been aware of for some time, but the gatekeepers not so much. As evidenced by a recent Instagram tag, some have called it "The Highwomen Movement." Perhaps finally, in the wave started by

“Jason Isbell told me, ‘One thing you have to understand about about Amanda [Shires], she’s a butterfly from outer space.’” — Brandi Carlile at the Americana Music Honors & Awards Show  While Amanda Shires was certainly the object of much admiration, she was not the only butterfly in Nashville last