
ALBUM REVIEW: Ashleigh Flynn & The Riveters Bring the Light on 'Good Morning, Sunshine'
The title of Portland, Oregon-based Ashleigh Flynn & The Riveters’ second album, Good Morning, Sunshine, is perfect. Like their rocking predecessors in the 1970s band Fanny, Ashleigh Flynn & The Riveters deliver joyous, high-octane performances, and the 11 songs on this collection overflow with ebullience and energy.
The bright title

No Depression's Best of March 2025 Playlist
Today might be April Fool's Day, but last month's playlist is no joke. March 2025 saw the return of some of roots music's biggest stars like Jason Isbell and Alison Krauss and Union Station. Additionally, ever-prolific Charley Crockett released his 15th studio album last

THROUGH THE LENS: Big Ears Festival 2025 Digs Deep
Founded in 2009, the Big Ears Festival lays claim to bringing more diverse music acts to single locale than any other event or gathering. From roots to the avant-garde, the fest brings together performers from around the world to music and other arts aficionados who are also from around the

FRESH TRACK: Alison Krauss & Union Station - "Arcadia"
Arcadia is Alison Krauss & Union Station's first album in 14 years. Throughout its ten transcendent songs, beautiful and tragic stories unfold as they reflect upon hard truths of history and the lives of those who have come before.
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BONUS TRACKS: Fare Thee Well and a Sister Rosetta Bio Pic, and New Music from Guitarist Marc Ribot
To paraphrase Bob Dylan, goodbye’s too strong a word, so for now I’ll just say "fare thee well." As the world turns, I’ve come to the end of my tenure in this role of Web Editor at No Depression. Nothing feels certain these days, but

ALBUM REVIEW: On ‘El Cabron’, Pug Johnson Cuts a Fun, Deviant Caper
If Townes van Zandt’s Pancho and Lefty got away with it, their lives might have ended up something like Texas singer/songwriter Pug Johnson’s outlaw, El Cabron. The titular character from his latest album, El Cabron, runs on swagger and split-second choices, often thriving in the liminal moments