ALBUM REVIEW: Julianna Riolino Gives Her All on Deluxe ‘Echo in the Dust’
There isn’t a single note on Julianna Riolino’s sophomore album Echo in the Dust that isn’t delivered with what sounds like every bit of gusto she’s got. Whether she’s offering a romantic gesture or a simmering kiss-off, Riolino uses all of her voice—the
ALBUM REVIEW: Lil’ Ed Williams Goes ‘Slideways’ and Sets His Guitar on Fire
Is anything more gripping than the sound of a slide guitar? In the right hands, it can cry and moan, or soar and shout, with an electrifying power that feels like an untamed soul at its most genuine. For proof, check out veteran slide master Ed Williams of Chicago, who
ALBUM REVIEW: With 'Let Us Clap' Lamisi Celebrates the Traditional and the Au Courant
Ghanaian activist, poet, and musician Lamisi (assisted by producer Wanlov the Kubolor) merges pop, protest, and an attunement to the ephemeral nature of life. Built around catchy melodies, club-ready beats, and lush textures, Let Us Clap spotlights Lamisi’s affinity for the au courant and reverence for the traditional.
THROUGH THE LENS: 'Blonde On Blonde' Tribute, Molly Tuttle, and Other Photos of the Week
This week’s column features recent photos taken by ND photographers at a variety of shows. The highlight for me is those taken by Astrida Valigorsky this past Friday, February 20, 2026, at Cain’s Ballroom in Tulsa, Oklahoma celebrating the 60th anniversary of Bob Dylan's seminal Blonde
FOUNDERS KEEPERS: A Change is Always Going to Come; The New Music of Ben Sollee
Ben Sollee's latest album, Time On Hold (streaming release on Feb. 27), was recorded last summer in Fort Collins, Colorado, and not at home in Louisville, Kentucky. Sollee's notes say it draws inspiration from the country soul of '70s singer-songwriters like James Taylor and
BONUS TRACKS: Industry News from Wasserman Group, Nashville Taxes, and New Music from Milk Carton Kids, The Deslondes, and Sturgill Simpson's Johnny Blue Skies
After news broke that talent agency founder Casey Wasserman was included and implicated in the so-called Epstein files, artists began dropping the Wasserman Group as their representation. Roots musicians like Orville Peck and Wednesday, as well as pop stars like Chappell Roan and Laufey, have all left. Since then,