FRESH TRACK: The Barefoot Movement – 'Get Behind Me'
We wrote “Get Behind Me” after growing frustration and disappointment with the way people behave on the internet. I think we should be able to have difficult conversations respectfully, and that is the only way to move forward. Beyond that, sometimes people are just downright rude and post absolutely unacceptable
SPOTLIGHT: Community and Creativity Fuel Rainbow Girls’ ‘Welcome to Whatever’
EDITOR’S NOTE: Rainbow Girls are No Depression’s Spotlight band for December 2023. Look for more about them and their new album, Welcome to Whatever, out today, all month long.
Before they were Rainbow Girls, the band, they were Rainbow girls, fellow residents of the University of California at
No Depression Sessions at AMERICANAFEST 2023: Fruition
It is always a delight to meet up with Fruition, a band of world-class pickers and equally lovely human beings. Watch them treat us to three new songs at Jaan’s House in Nashville during AmericanaFest 2023 while we eagerly await the studio versions of these songs coming next year.
Vote for Your Favorite Roots Music Albums of 2023 in No Depression’s Readers Poll
December is a season of traditions, and we’ve got a few of our own here at No Depression. One of our favorites is to take some time at the end of every year to look back and appreciate all the good music that’s flowed into our ears. But
BONUS TRACKS: Jimbo Hart Parts Ways With Jason Isbell and the 400 Unit
After taking a leave of absence from playing bass with Jason Isbell and the 400 Unit last summer, Jimbo Hart announced this week that he’s making that step away permanent. “I’m no longer a member of the 400 Unit,” Hart posted on X. “I’m grateful for all
ALBUM REVIEW: Lilli Lewis Journeys Inward for Songs Set to Vintage Sounds on ‘All Is Forgiven’
With her latest LP, All Is Forgiven, Lilli Lewis draws from various tried-and-true templates while offering a sequence notably more introspective than on her previous albums, including 2020’s My American Heart (essay) and 2021’s Americana. The result is her most referential and self-revealing work to date.
On “Sin