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Stacy Chandler

SPOTLIGHT: Pokey LaFarge Sheds Demons and Damage After ‘Rock Bottom Rhapsody’

SPOTLIGHT: Pokey LaFarge Sheds Demons and Damage After ‘Rock Bottom Rhapsody’

EDITOR'S NOTE: Pokey LaFarge is No Depression's Spotlight artist for April 2020. Tune in all month long for more from LaFarge and his new album, Rock Bottom Rhapsody, out April 10. When Pokey LaFarge picks up the phone in Austin, it’s not from one of

Coronavirus Crisis: How to Help Roots Music Artists

Coronavirus Crisis: How to Help Roots Music Artists

25 Questions About Sierra Hull’s ‘25 Trips’

25 Questions About Sierra Hull’s ‘25 Trips’

Sierra Hull has covered a lot of ground in her 28 years: a Grand Ole Opry appearance when she was 10, Carnegie Hall at 12, countless bluegrass festival jam circles and stages, college, world tours, IBMA awards and a Grammy nomination, marriage, and more. Her latest album, 25 Trips, out

ND ARTIST OF THE DECADE: Dave Cobb on Jason Isbell’s Music, Real Life, and Shoe Game

ND ARTIST OF THE DECADE: Dave Cobb on Jason Isbell’s Music, Real Life, and Shoe Game

No Depression Readers’ 50 Favorite Roots Music Albums of 2019

No Depression Readers’ 50 Favorite Roots Music Albums of 2019

Back in 2004, we started asking No Depression readers for their favorite roots music albums at the end of each year. After all, who has better taste than you? Every year, you’ve obliged, creating with your votes a kick-ass list of the year’s albums that remind us why

Time (The Revelator): 10 Years of No Depression Reader Polls

Time (The Revelator): 10 Years of No Depression Reader Polls

As we gathered votes for our 2019 Year-End Readers Poll (sorry, voting is now closed), we thought it would be illuminating to look back at the results from the past 10 years of YERP, as we call it. Some of the albums that made the top 10 each year are

A Different Kind of Thing: Bruce Robison Forges the Future with The Next Waltz

A Different Kind of Thing: Bruce Robison Forges the Future with The Next Waltz

A few years back, after Bruce Robison had been able to put away some money from his songwriting, he built himself a studio. It had state-of-the-art equipment, everything it needed to make records in today’s world. “I got to the end, and it sounded just like everything else,” Robison