Maeri Ferguson

Cloaking a fear of doom and uncertainty in a joyful, vibrant sound is the name of the game on the latest release from The Felice Brothers, From Dreams to Dust. Ruminating on what often feels like end times, James and Ian Felice have created textured story-poems about survival and

You haven’t heard a voice like Leah Blevins’. The Kentucky native’s debut, First Time Feeling, plants itself at the crossroads of gospel and country, a product of Blevins’ Appalachian, church-singing upbringing and her Nashville coming-of-age. With all the scars to prove it, Blevins sings her

We have all been thrown for a loop, left with far too much time to recollect and think about our mistakes and ruminate on what the future has in store. Charlie Parr is writing songs about it, and damn good ones. Last of the Better Days Ahead is a stripped-

Andrew Bryant has been grappling with his spirituality and identity across his solo albums from the beginning, but this time feels different. Aside from coming out of a global pandemic, Bryant also recently hit one year of sobriety, a journey he began in earnest while in lockdown. At home in

There is beauty in cynicism. T. Hardy Morris knows this. His latest record, The Digital Age of Rome, takes a dark, gritty look at a society on the brink of collapse due to an overload of technology and performative living on social media. Morris captures all the worst parts of