John Amen

Refining the infectious rhythms, melodies, and vocals of her previous album, 2017’s Silhouette of Sirens, Chastity Brown releases her new set, Sing to the Walls. The project stands as a culmination of Brown’s journey, a sequence that marks her evolution from a rootsy troubadour to a meticulous songwriter,

With Gold Country / Country Gold, Cindy Emch, aka Secret Emchy Society, releases another set of boisterous, heartfelt, and frequently tongue-in-cheek songs, her freewheeling persona belying a well-honed songcraft, including hook-infused tunes and soundscapes that integrate a wide range of country and rock sources. The album opens with a version of

Throughout Tularosa: An American Dreamtime’s 11-song sequence, Kamara Thomas — activist, multidisciplinary artist, and singer-bassist for blues-rock trio Earl Greyhound — debuts with her own brand of historically based mythology, depicting the lives of various figures as they navigate love, tragedy, and displacement in the 19th-century American West. With the opening

With her fourth album, Stolen Time, Abigail Lapell builds on the folk and folk-rock templates of her previous three albums while strategically employing instrumental effects and moody atmospherics. Her versatile voice, however, defines the project, the Canadian singer-songwriter’s dreamy yet cogent delivery bringing to life a mix of ballads,

Paul Cauthen offers a sequence of catchy, humorous, and heartfelt songs on his latest album, Country Coming Down. Overall, the sound is unmistakably country, though Cauthen and his band draw from and recontextualize a variety of playbooks. While previous projects, including the raconteurial Room 41 and sermonic Have Mercy, revealed

Over the course of five albums, William Clark Green has created a notable body of work, mixing outlaw and mainstream country sounds. His lyrics often address the painful side of romance, the challenges of day-to-day life, and the pluses and minuses of hard drinking. Vocal performances are equally roadhouse- and