John Amen

With their latest set, Believer, Ella Coyes assumes a more aerial view than on their 2022 debut, Communion, frequently putting distance between themself and their subject matter. John Nellen’s production MO complements Coyes’ narrative style and this new, detached perspective, infusing the tracks with buoyancy, while never diluting Coyes’

One of the more prolific artists working today, Charley Crockett releases his 15th album, Lonesome Drifter today. Drawing from the artistry of earlier work, particularly last year’s $10 Cowboy, Crockett continues to advance his persona – rambling man, raconteur, philosopher – offering hooky songs about hardscrabble romance and life on the

Adopting a fresh moniker – Sharon Van Etten & The Attachment Theory – Van Etten and company embrace their most collaborative venture, crossing the lush sonics of 2019’s Remind Me Tomorrow and the sober confessionalism of 2022’s We’ve Been Going About This All Wrong. Teeny Lieberson on synths, piano,

With his new album, Mahashmashana, Josh Tillman, a.k.a. Father John Misty, backburners the vintage ambiance of his last album, 2022’s Chloë and the Next 20th Century. Instead, Misty revisits the social commentary and reflections on loss that pervaded 2017’s Pure Comedy and 2018’s God’s

Laura Marling’s latest album, Patterns in Repeat, was inspired by the birth of Marling’s daughter and the singer-songwriter’s initiation into motherhood, but still covers broad thematic ground. Throughout the venture, Marling reflects on her life and the world into which she has brought her child, translating myriad

With their new album, Something Is Working Up Above My Head, the Charleston, SC-based duo Shovels & Rope continue to display their affinity for rock-leaning Americana. The album follows 2022’s Manticore, which was steeped in the agitation and uncertainty of the Covid era. This time, Cary Ann Hearst and