Grant Alden

Two years ago, when I first wrote about Chip Taylor's return to songwriting and performing, I titled the story "When A Man Grows Older," borrowing the phrase from an obscure Italo Svevo novel about an older man's unrequited love for a younger woman. It

Though hardly an unknown, Clarence "Gatemouth" Brown has rarely been the beneficiary of the kind of elder-statesman adulation that has attended the waning years of John Lee Hooker. True, Brown's never had a hit the size of "Boogie Chillun", but more importantly, he'

One can only spend so many minutes kneeling on the floor, slipping CDs in and out of the player, before the subtle nuances fade into irrelevance. Lucinda Williams' third album has been remastered for reintroduction into the digital world, and is doubtless the better for that attention; certainly the

What a difference a few thousand dollars can make. Originally recorded three short years ago by an unknown North Carolina band as the debut offering from an unknown North Carolina label (Mood Food), Faithless Street had about it the raw, scared urgency of a band that wanted desperately to get