I saw the Pogues play only once, in 1989, as frontman Shane MacGowan was descending into drunkenness and a certain Tim Burton film was dominating the box office. Soused beyond measure, MacGowan staggered around the stage with little interest in singing, belching out a slurred and incoherent rant instead. The only words I could make out were, "Fuck you! Fuck you and your Batman!" It was hard to believe that just a year earlier, the band had recorded one of the finest albums of the '80s. If I Should Fall From Grace With God, now remastered and reissued with six bonus tracks, was rooted in the same Irish-folk-with-a-punk-attitude that defined the group's earlier releases, but it extended in new directions as well. The band had always mixed a little Americana with its music, whether by singing about Irish-Americans (here on "Thousands Are Sailing", MacGowan's lovely duet with Kirsty MacColl, "Fairytale Of New York") or by embracing elements of our country music (this album's title track). But now their sound seemed to encompass the entire globe, from the Mexican strains of "Fiesta" to the Gaelic/Ottoman fusion of "Turkish Song Of The Damned". They had never been this good before -- and, alas, they would never be again.
Read next
ALBUM REVIEW: The Bros. Landreth Hope for Better Days Ahead on ‘Dog Ear’
2025 has been a year of great reflection. As storms rage outside, seeking refuge – in our favorite movies and TV shows, in great books, and in favorite records – becomes increasingly important. With their new album, Dog Ear, The Bros. Landreth extend a comforting embrace with calming musical waves and profound,
ALBUM REVIEW: On 'Memories and Empties' Colter Wall Turned Up a Notch
From the first measure of Colter Wall’s new album, Memories and Empties,something feels different. Against the resolute opening track “1800 Miles,” Wall's full-bellied baritone seems to have a newfound intensity. His strings are even richer; the pedal steel, more vivid; the rhythms, somehow punchier. With each
ALBUM REVIEW: North Carolina songwriter Abigail Dowd Grooves from the Lows to the Highs in 'Saints & Warriors'
In “Sister’s Heart,” Abigail Dowd tells what is likely a story of indigenous North Carolinians hiding and surviving, holding onto their culture and family ties despite four centuries of colonization. “Sisterland of the longleaf pine / hold our brothers where the canebrakes hide,” she sings over twilit blues. In her
Comments ()