
Violins of Hope Voice Stories of the Past
EDITOR'S NOTE: This summer, we're focusing on themes of immigration and migration in music both here at NoDepression.com and in our print journal, and this story is an excerpt of one that will appear in the upcoming print issue. Don’t miss a thing! Subscribe

A Note on Music, Mental Health, and Frightened Rabbit’s Scott Hutchison
Scottish folk-rock band Frightened Rabbit reported its songwriter and frontman Scott Hutchison missing on Wednesday, and early this morning (in America) Scottish police confirmed that a body recovered in Port Edgar, near the South Queensferry neighborhood of Edinburgh, was his.
The apparent suicide comes in fairly quick succession of two

Writing About Bluegrass Royalty, Warts and All
Last weekend, Barbara Martin Stephens, at age 83 an energetic, warm, articulate woman, came to the Sertoma Bluegrass Festival in Florida to tell the story of her life with “The King of Bluegrass,” Jimmy Martin. Her book, Don’t Give Your Heart to a Rambler: My Life with Jimmy Martin,

Steve Forbert Lists His Favorite Three Albums
For three years, the prevailing theme of my Best I’ve Ever Seen column has been musicians talking about the best concerts they attended by other artists. To mix it up a bit, I decided to broaden the theme and from time to time allow readers to learn which albums

What Is Cosmic American Music? (And a List of Examples)
Cosmic American Music is hard to define, and often easier to define by what it’s not. Michael Grimshaw in his essay “Redneck Religion and Shitkickin’ Saviours? Gram Parsons, Theology and Country Music” writes: “Parsons’ mission was the creation of a new way forward, a way to musically heal the

American Desert Music That Twists, Turns, Shifts and Satisfies
I am familiar with this group of musicians – 3hattrio (three hat trio) -- and they are – out there. I love and respect their work. Why? Because after listening to countless proficient musicians, good showcases, competent playing and well-written songs this is one of the bands who are implicitly original. They