Center of The Universe
EDITOR’S NOTE: No Depression is thrilled to share this timely essay from Nashville-based fiddler George Jackson. His new album with a trio, titled Center of The Universe, was recorded live and without creative direction from artificial intelligence.
This is a fraught moment for artists and musicians. A musician’s
ALBUM REVIEW: Clay Street Unit Debuts Ear Worm, Fearless Newgrass on ‘Sin & Squalor’
It’s likely difficult being a new string band today. The role comes retrofitted with some onerous responsibilities. There are certain tenets to uphold, time-tested musical traditions to follow, duty weighing on every roll and break.
With the release of Sin & Squalor, however, it seems newcomers Clay Street Unit
THE READING ROOM: Jonathan Bernstein’s ‘What You Do When You’re Lonesome: The Authorized Biography of Justin Townes Earle’
The road to literary and musical fame lies littered with the bodies of authors and artists who succumbed to the notion that the path to making great art or music runs through the valleys of suffering, the more torturous the better. On the one hand, the exquisite pain that torments
ALBUM REVIEW: Boy Golden Turns Suffering into Hope on ‘Best of Our Possible Lives’
Boy Golden (the stage name of singer/songwriter Liam Duncan) centers his fifth studio record, Best of Our Possible Lives, around the lead single and opening track, “Suffer.” Dirty, cosmic guitars swirl around similarly muddy drums that emit a transcendent throb. Razor-sharp lyrics (e.g., “I want to know where
ALBUM REVIEW: Jeremy Ivey’s Home-Recorded 'Its Shape Will Reveal Itself' is Unvarnished and Honest
Jeremy Ivey’s “Walk With Me” rides slow on ambling cowboy chords, all at once cinematic and intimate. Its sound is more western than most of Ivey’s new Its Shape Will Reveal Itself. Tape wobble distorts Ivey’s voice as he sings of modern confusion. It fits the moment–
ALBUM REVIEW: On ‘The Knot’, The Waymores Stay True to Their Roots, Tweak Their Vintage Sound
The Anthology of American Folk Music, produced by Harry Smith and released in 1952, is a stunningly comprehensive document that compiled folk, country, and blues tracks recorded between 1926 and 1933. Including Mississippi John Hurt, Hoyt Ming and His Pep Steppers, The Carter Family, and Reverend Sister Nelson, among many